ALLEN / LANDE - "The Showdown" 2011 Third installment of the saga Allen / Lande, two axes of the voice if his first two deliveries as embroider, it is also true that in this third work is also at the level as expected. "The Showdown" is the first cut, with strong start and putting all eggs in one basket, with good riffs and presence of low bestial, the voice torn Lande and Russel Allen brings warmth enveloping the song at a time when the composition is what a song pide.Es pace, with a good base composition, the fact is that we will see once again a very competent Magnus Karlsson and multi-instrumentalist. "Judgement Day" with the master of keyboards start us into what led to the letter of the disk Single form, a more melodic song than even opens with a chorus more house brand, perhaps more glib, but it is true that losing does not make the song personality. "Judgement Day" is to say: ! This is Allen / Lande as in the first two installments although there may be developments in the following subjects, for me it is best Magnussen Karlsson on keyboards combine solo work with a passage of many carats. "Never Again" starts with that sound reminiscent of more recent atmospheric Primal Fear, a denser matter, those who like vocals, with a great chorus, great instrumental accompaniment and a background keyboards tenderly embracing the song and giving such support to be that is, a large tema.Muy good composition that while it might seem an issue but, the truth is it's a song where the tables are noted with the odor of the compositions by the duo Allen / Lande, merger heavy metal and passed Aor mold them. "All Turn Into Gold" is a subject much more relaxed, with that court Whitesnake, a sharp guitars that I love, a chorus with a touch of high-end keyboard attractive, the bridges are perfectly drawn and friends Allen / Lande shine in all its splendor, as in most subjects drummer Jaime Salazar shows the high quality that can contribute to all issues. "Bloodlines" is perhaps a topic more prebisible, but easy as pie, it adds nothing new, but on the contrary shows details of calm voice that makes listening a pleasure different guitars also perfectly at all times accompany the vocal work. "Copernicus" Russel Allen fantastic start wrapping this beautifully crafted ballad, little by little, is drawing up a road the best of Allen to take the song to a chorus where you overboard along the track is cleaned and tearing in his voice Just as with quality, as a large can do, master the central part where Allen shows the highest level of the song. "We Will Rise Again" is reminiscent of the second installment of the trilogy, a rhythmic base loaded as start, warm passages based on keyboards, drums and bass, a chorus accompanied by appropriate extramelodico guitar harmonies, this song remains a good topic, if you remember a little feeling I left the previous game and is that they have a lot more songwriting ability of such issues, should be able to stop in time, before falling into the repetition, all of this, considering the greatness of the song. "The Guardian" This song I like but, in the sense that it is a more casual theme, does not require large arrays, is a song that shines by itself, quite the air of a more traditional hard rock with less caramel and a chorus that gets more in the brain to leave a taste in my mouth again to try something that you like and what you never tire, great vocal performances, fine solo Karlsson and rhythmic tasks, leaving the background arrangements with a great rhythm guitar give all that song requires. "Maya" From this intriguing start cutting starts again reminds me at times and perhaps more than ever to Whitesnake, big-time compound with the A, B, C of the more traditional hard rock, keyboard accompaniment, good melodies, guitar hero, this crystal clear sound and a moderation in the voice that only the greatest know how to contribute, all made of "Maya" a perfect continuation of "The Guardian". "The Artist" and we advertise these keyboards mark Karlsson house the future of this topic, rimbombastica battery in the beginning, very sharp riffs and a moment of calm to Land shows more defined version of the voice, a rhythmic gradually combined with the most charged moments mentioned of vocal splendor, are the dynamics of what this theme, a little more melancholy than usual, with a special central passage that breaks with the dynamics of the song and that ultimately are variations on this theme. "Eternity" No I say I do not like this song, but I find more of the same, I understand what Allen and Lande have tried is to end the album with a theme that is very much of the trilogy, and in fact is a good song, but offers no nothing new and maybe have killed more Hard topic would have been more successful in my opinion, also wanted to interpret that ending majesty is what defines the song, the best is the central part once again with a very wise Magnus Karlsson . As we have this bonus-Track "Alias" that should be more than the closing bonus disc, a subject of great influence of the hard rock of the late 70's and early 80's fused with presonal he brings to his songs the duo vocal.Como summary of what which is the third installment would say that I have found a better record than expected following a good second book as it was "The Revenge" since it provided rather more repetition, also has great moments of Hard-Rock and is a point mature as a project, however I have to say that to me is sufficient for this project, and that perhaps I sinned sins of the second issue is that perhaps it is time to return every man for himself.
- 1.The
Showdown
- 2.Judgement Day
- 3.Never Again
- 4.Turn All Into Gold
- 5.Bloodlines
- 6.Copernicus
- 7.We Will Rise Again
- 8.The Guardian
- 9.Maya
- 10.The Artist
- 11.Eternity
- 12.Alias (bonus track)
1.Fields Of Fire 
